Wayne Jones adds...

 

Hello! My name is Wayne Jones.


I was the additional guitar player added to the "Tax Exile" line up along with Mike Kennedy, which was a little over thirty years ago now. I am know fifty years of age I was then a nineteen year old teenager. I have only just discovered the "Official John Evans website" in the last few months and have not had a chance to speak John in a few years. Our paths have some what diverged and we lost contact. Though I am very pleased he is now a successful author, mover and shaker. But I was stunned to discover that there is still an interest in "Punk Rock" music and the "Tax Exiles".
 
I felt I needed to respond to some of the comments written by Mike Kennedy. Firstly I am glad he corrected the omissions, he was indeed "Scrot Rot" and I was the Guitarist in the photos taken at the "Chapter Arts Theatre" Gig. But I would like to respond to Mike Kennedy's pejorative personal comments about me. Firstly the Mountain Ash Palace Gig was not the first gig I played with the "Tax Exiles" that was "I think" played at Pwllgwaun working mans club or Memorial Hall or something like that in Pontypridd 1977/78.
 
As I remember it that gig was an absolute shambolic, chaotic affair were our gear would not work properly and we were extremely under rehearsed even for Punk. Also I have to admit to being the main protagonist who incited the Riot at the Mountain Ash palace by launching my guitar at a particular person in the audience who I felt at the time was seriously over stepping personal boundary’s and I seriously lost my cool," period" * And not because the crowd were gobbing. This was a regular occurrence at "Tax Exile" gigs at the time we expected a saliva fest. (In retrospect I am filled with revulsion at the thought of it.)
 
I have residual memories of being on stage and looking over to Spider the Bass player who had spheres of saliva hanging of him and his bass like crystal dread-locks! "It was 1977/78 ". But these events have to be seen in the context of that era. I personally felt at the time that my then Guitar tone added a much harder, aggressive and darker edge to the "Tax Exiles" sound than Mikes Kennedy's happy smiley guitar. In fact while gleaning my thoughts about that era I remember a numerous incidents of random violence at our gigs, in fact we were infamous for being an aggressive Punk band it was part of "The dangerous " image which we nurtured.
 
Some of the silk screen posters we had commissioned made to promote our gigs stick in my head, some showed the "Tax Exiles" in dark two colour relief and my predominant thought of the subject matter was that we looked like a Victorian freak show. This helped to promote our image and helped to draw the crowds and got us noticed it also allowed us to support some of the big names in Punk. In fact I remember playing a gig at the students union in Pontypridd and some teenager was tampering with our electrics while we were on stage and our beloved lead vocalist walked over to the other side of the stage and strategically placed his brothel creeper straight into the guy's jaw. "Knocked the kid clean out I think he had to have is jaw wired" That’s just one incident I could recollect a lot more. Violence was part of the show it dogged us along with our fans like the "Rumney contingent " all ex-boot boys, who come to mind who would follow us around the country to support us.
 
So! then, that said my perception of Mike Kennedy, rightly or wrongly at that time period was of a middle class, studenty, ex-hippy, vegetarian type who rolled his own, cut his hair and became a punk rocker and could strum a few cowboy chords. He was a genial enough bloke but definitely had no edge. And to me did not fit the "Tax Exile" profile. I think the first time I met him was at his student digs which he was then sharing with his girlfriend in Ynysybwl and he was trying to play the "Kinks" song "You really got me" and couldn't quite master the classic riff so I showed him how to play it. I remember thinking at the time that he was a bit wet and sappy.
 
All these memories which I had totally blanked out over the last thirty years are now as I am writing this flash-flooding back Tsunami like.

I would like to add two more things.

(1) These are my personal perceptions and recollections, some are hazy, some seared in my brain with a branding iron, some in sepia tones, some in Technicolor.

(2) I accidentally found "The official John Evans" website in September and followed the links. So! to discover "Miracles" had been released as a single on vinyl with talk of other "Tax Exile" material being released has sent my head into a spiral of disbelief.
 
About "Miracles" John and I collaborated on that piece of music he wrote the lyrics but I composed the music. It was an experimental piece, we were moving away from punk and at the time being influenced by European Experimentalism and Art Rock Electronica.
 
I hope my personal perspective eliminates some of darker crevices of the "Tax Exiles"
 
*(In retrospect that’s who I was, its not who I am now)
 
Thanks very much.
 
 WMJ
Sunday 4th November 2007
 
P.S Very good site  lot's of hard work and research has gone into it.

 

Email Received on Monday 15th November 2007

I would be very happy if you added my thoughts to your site.  I will search my archives and attic and look for for some of my old punk stuff.  Don't know if there is anything there of interest I will look. 

As for masters under the bed, the "Tax Exiles" recordings we completed in 1978 in a garage studio in Cardiff and released on cassette tape and distributed at our gigs as I can recall the recordings consisted of....

  • "MIRACLES"  John Evans/Wayne Jones
  • "WAITING FOR THE MAN" Lou Reed
  • WHITE LIGHT WHITE HEAT"  Lou Reed
Only "Miracles" has come to light on single (to my surprise) John has more stuff than me. He kept a lot of memorabilia and has been the "Keeper of the Flame".
 
I have not seen or spoken to Kevin Evans (Spider) or Mike Kennedy in thirty years. And have had no contact with John Evans since the early to mid-nineties.

 I think Spider moved to London and worked for the fisheries department. I recall John saying that he was part of duo with Glen who was our second manager after Billie our first manager was sacked.

As for Mike I last met him in an old BBC recording studio when John had a record contract with 'Situation 2' arm of 'Beggars Banquet' Records, while he was  recording his single "Sister Soul" which was released in 1981. Mike Kennedy had switched to Bass and was the Bass man on the single. I was asked by John to add some electric Guitar but my stuff was not used.
 
So! all the best "Dizzy" thanks again.
 
P.S.  If you would like more recollections of the those halcyon days please ask me I would be pleased to add to the "Tax Exiles" in memorial.
 
Wayne M Jones

 

 

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